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・ The Master and his Pupil
・ The Master and His Servants
・ The Master and Margaret (1972 film)
・ The Master and Margarita
・ The Master and Margarita (1988 TV series)
・ The Master and Margarita (1994 film)
・ The Master and Margarita (disambiguation)
・ The Master and Margarita (miniseries)
・ The Master and the Musician
・ The Master as I Saw Him
・ The Master Builder
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・ The Master Detective
The Master Game
・ The Master Genealogist
・ The Master Gunfighter
・ The Master Has Come Back
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・ The Master Key (1914 serial)
・ The Master Key (1945 serial)
・ The Master Key (novel)
・ The Master Key System
・ The Master Landscapist
・ The Master Maid
・ The Master Mind
・ The Master Mind (1920 film)
・ The Master Mind of Mars
・ The Master Musicians of Jajouka led by Bachir Attar


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The Master Game : ウィキペディア英語版
The Master Game
The Master Game was a BBC production of televised chess tournaments that ran for seven series on BBC2 from 1976 to 1983.〔Barden, Leonard; James, Jeremy. "The Master Game" (British Broadcasting Corporation, 1979). ISBN 0-563-17437-4〕〔Hartston, William; James, Jeremy. "The Master Game – Book Two" (British Broadcasting Corporation, 1981). ISBN 0-563-17916-3〕
Presented by Jeremy James with expert analysis from Leonard Barden and, later, Bill Hartston, The Master Game was highly regarded for its innovative style, in which a display board with animated figurines and move notation, shown centre-left of screen, was accompanied by footage of the players cogitating, their thoughts during the game heard in voice-over.
The Disco 78 version of Ennio Morricone's "Come Maddalena" was memorably used as the show's theme tune.
==History and technique==
The Master Game's producer, Robert Toner, recalled previous work for the coverage of the Fischer-Spassky 1972 World Championship match: "Marsland Gander, then TV critic of the Daily Telegraph, wrote, 'The manner in which the games are presented, with experts standing in front of magnetic boards, moving pieces by hand, shows that television has made no technical progress with chess for the past twenty years'. He was right – from that time I began to wrestle with the problem."
The result was the creation of a special invitational knock-out tournament. The games were played away from the television studio, the audio recordings of the players' thoughts being made immediately afterwards. The players would later be filmed in a studio reconstruction of the game, made to match the audio recordings.
Added to this intensive, unorthodox production method were the ground-breaking animated board and pieces created by designer John Bone and the technicians at BBC Bristol. This effect was achieved using a glass chess table on which the moves were made by a cloaked and gloved player. The piece symbols seen on-screen were actually on the underside of the pieces themselves, which were filmed from beneath in reflection, to correct for the left/right reversal that resulted. In addition to this, the expert commentator could use an electronic pointer, illuminating the squares to graphically indicate the ideas being discussed. The effect that combining all of these elements produced had never been previously achieved and is remarkably similar to a high quality, digitally produced, modern multimedia chess presentation, yet was created using only puppetry techniques, fairy lights, mirrors and much editing.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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